![]() ![]() From Rue quite literally comparing the feeling of being around Jules to the feeling of being on drugs, to Lexi (Maude Apatow) implying Jules is the only reason Rue is staying sober, to various people - including Jules’ own dad - pressuring her about whether not the two are dating, Jules expresses inaudible discomfort by growing increasingly distant. She’s Sailor Moon meets Stargirl.Įuphoria and Jules seem to recognize that Rue - and we, the audience - have cast her in this role as an MPDG, and she starts to visibly reject it. She initially appears as an anomaly in this high school world, causing everyone around her to stop and stare at how out of place she seems to be here. And Jules is soon introduced to us in all her carefree glory, tall, beautiful, with long flowing blonde hair, shimmering glitter makeup, and quirky clothes right out of an anime like Sailor Moon. Before we even see her for ourselves, Fez (Angus Cloud) describes Jules to Rue as “Sailor Moon” and says Rue will like her, so we immediately have a preconceived picture of this mysterious being served up for our protagonist. Jules’ introduction and subsequent immersion into Euphoria is completely in line with this characterization. Her ethereal appearance puts the pixie in Manic Pixie Dream Girl. ![]() TVTropes lists the characteristics of a classic MPDG as super energetic, playful or childlike, always beautiful, and particularly high on life, with an appearance that is usually anything but ordinary (think interesting hair, outfits, or makeup). “I’m sorry for creating this unstoppable monster,” he wrote, pleading: “Let’s all try to write better, more nuanced and multidimensional female characters: women with rich inner lives and complicated emotions and total autonomy, who might strum ukuleles or dance in the rain even when there are no men around to marvel at their free-spiritedness.” Seven years later, Rabin denounced the term after observing that, like so many things on the internet, it was being stripped of its nuance and overused as a misogynistic shorthand. While the character trope has been around for decades, film critic Nathan Rabin coined the term “Manic Pixie Dream Girl” in 2007 to describe Kirsten Dunst’s character in Elizabethtown, defining it as a woman who “exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” Natalie Portman’s free-spirited nymph in Garden State became a prime example of the problematic archetype.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |